Upon arriving at Tianyuehaihe, I was shocked by the sight in front of me. Sunlight sheds from the irregular patio, and Jiamu of Shuitai transforms light and shadow under the shining of the sun.
As the sun rises and the moon sets, the patio becomes a container of light, collecting a touch of tranquility in the bustling city.
Stepping into the door, the gray Indian sapphire blue granite has a rustic and delicate natural texture, which realizes the first spatial transformation.
In the second transition of Tianyuehaihe, a scene of transparent glass scenery wall, like a sail like a shadow, seems to imply something.
The translucent sail device made of glass fiber is hung in the transparent scenery wall, and the lower part is dotted with lake-blue glass stones, like flowing water, flowing slowly as people move forward. The shadows of the trees in the garden are mottled, and they are faintly visible through the glass.
Peaks and loops, the third spatial transformation, is conversion and confluence.
Passing through the cave door, a square pool appeared in front of you, and an oasis lightly emerged from the center of the water. Passing through the forest, listening to the murmur of water, this is the ethereal land of expectation.
The vestibule of Tianyuehaihe is square in layout and enclosed on all sides. Inspired by the water map of Ma Yuan in the Southern Song Dynasty on the north side, the Aoya design team meticulously created a CNC 3D carved limestone water pattern scenery wall. The static language combined with the change of light and shadow showed the rhythm of water.
For the three interfaces, the north and the south are real. Although the glass scenery wall on the west side is transparent, it is also regular and square, so the only natural break is left to the east side. The revetment of the pond on the east side twists and turns freely, and the green terraces on the water bank rise step by step, forming a sense of texture like water erosion.
Three conversions, from the city to the garden, from the hustle and bustle to the quiet, step by step, follow the good temptation, and the feeling of visiting the garden emerges spontaneously;
Three transformations, one turns to see the thick and simple scenery of the barrier, the second turns to see the light and light shadows of the transparent scenery, and the third turns to see the ethereal land, suddenly enlightened;
After three conversions, the mood went from tension to relaxation, from relaxation to expectation, and from expectation to shock.
It is this process of conversion, sequence, and body feeling that produces a sense of belonging.
If the frontcourt space is an anthem to set sail, then the backcourt space is more like a homecoming song. The space treatment of the backyard pays more attention to practicality, focusing on convenient visits, while providing outdoor negotiation space and small marketing activities venues.
The rich height difference is made in one go, connecting the small and refined garden space, so that the viewer can concentrate on the garden, and a kind of homecoming feeling emerges spontaneously.
Life is only a hundred years old, but the existence of rivers has a long history. They carry the glory and decline of mankind, and infiltrate the civilization of mankind.
Water and sail shadows are constantly intertwined and presented in the path and space in abstract forms, repeatedly reminding them to penetrate and infiltrate people's subconscious from the senses, which makes people feel the heartbeat from the body, and the culture and artistic conception conveyed by the place.